What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
With Star Wars: Episode 7 less than a year away, Disney and Lucasfilm are facing a conundrum: just how many billions do they want to make from ancillary merchandise? Get ready for Star Wars bedsheets and Star Wars lunch boxes and, of course, countless new Star Wars action figures. You will be able to fight other adults in the toy aisle at Target like never before! However, Star Wars aficionados hoping to celebrate their fandom in a quieter way will also have their fair share of options, namely 20 new books bridging the 30-year gap between Return of the Jedi and The Force Awakens.
With Taken, Liam Neeson became an unlikely action star, with his quiet, solemn masculinity lending gravitas to even the silliest dialogue and story beats. But rather than use the success of that instantly meme-able film as an excuse to pursue more period dramas and British weepies, Neeson embraced his newfound action hero identity. Now, after seven years of snapping necks and gunning people down across several continents, it looks like he’s ready to retire from the action hero game for good.
With some of the year’s biggest movies only a month or two away, the box office seems to have entered a holding pattern. Some of the new releases are minor hits. Others crash and burn. Right now, Hollywood just seems to be crossing their fingers and hoping for the sweet, sweet summer movie season to come along and save them (or at least the April release of Furious 7). In other words, every new release underperformed this weekend.
It’s an SNL sketch premise so silly that it feels like it belongs in the early ’90s, not 2015. Taking place in the distant future, the scene asks us to believe that chickens have evolved to be more intelligent than humans and that a chicken could command a spaceship of human beings and, most importantly, that a crew member played by guest host Chris Hemsworth would fall in love with the chicken.
It’s an undisputed scientific fact that Beauty and the Beast’s Gaston is the greatest villain in the Disney animated canon. After all, we’re talking about a guy whose theme song is all about how many eggs he eats and how every last inch of him is covered in hair. Sorry Maleficent, you have nothing on this guy. So, the news that Luke Evans has been cast as Gaston in Disney’s upcoming live action take on Beauty and the Beast has us feeling awfully judgmental. Sure, Evans is a good actor, but is he Gaston good?
Last year, John Travolta took the Oscar stage to introduce Idina Menzel so she could perform “Let It Go” from Frozen. What should have been a very simple, teleprompter-aided introduction quickly became a Big Deal when Travolta stumbled over his words. Instead of “Idina Menzel,” Travolta said “Adele Dazeem.” An internet meme was born and everyone added another great John Travolta joke to their repertoire. The 2015 Oscars decided to revisit that memorable flub and the results were weird, awkward, and yeah, pretty funny.
For many viewers, the Oscars are are chance to snark and make fun of everything that happens on stage (and can you blame ‘em?). But then the “In Memoriam” segment comes around and reduces even the most cynical person to puddle of bubbling tears. The 2015 Oscars “In Memoriam” is no different, offering a whirlwind tour through a year’s worth of beloved people who passed away. Get ready ... it’s about to get a little dusty in here.
The Oscars may not carry the same amount of commercial clout as the Super Bowl, but it still offers advertisers an opportunity to appeal to a very specific audience. In this case, it’s Apple and legendary filmmaker Martin Scorsese teaming up to sell the cinematic potential of the iPad. And yes, this commercial wants to tug on your heartstrings.
We all watch the Oscars for different reasons. Some watch for the sheer spectacle. Some watch to see if the movies they like actually win something. Some watch so they can drunkenly criticize what everyone is wearing. But in the end, it all comes down to all viewers doing the exact same thing: watching people thank other people for upwards of three hours. But which people have been thanked the most in 86 years of Oscar history? Someone with a lot of time on their hands decided to figure that out.
When it was revealed that director Paul Feig was going to reboot Ghostbusters with an all-female cast, the general assumption was that Ghostbusters 3 was dead and buried. Gone forever. Kaput. Never to be mentioned again. But, Dan Aykroyd never got that memo. Aykroyd, who co-wrote and starred in the original films, has spent years talking up Ghostbusters 3 and he’s not going to let silly little things like an actual, official, studio-sanctioned remake with a cast and release date get in the way.
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